Exhibitions
Music
Sound Design
About
CV
Portfolio
meynsense@gmail.com
@meynsense
His research engages with the socio-political conditions of the contemporary era, with particular attention to emerging forms of dissent and the ways in which the infrastructures of power, control, and extraction can be disrupted, hacked, or reconfigured. Within his practice, voids and absences become critical devices through which latent forces and underground tendencies are revealed, opening spaces of possibility beyond the logic of profit and instrumental order.
Working across installation, video, sound, and performance, his interdisciplinary practice investigates the intersections between technology, faith, perception, and politics.
Over the years he has developed as a musician, exploring experimental electronic music and performing in various spaces throughout Italy. Working as a sound designer, he has expanded his portfolio through personal projects and collaborations with fashion brands, contributing to the production of multimedia content for MM6 Maison Margiela, Marine Serre, Missoni, Federico Cina, and for other clients such as Roland Garros, Shiseido, and Hypebeast Japan.
In addition to having performed in various spaces and institutions across Italy, he has participated in group exhibitions at Fondazione Bevilacqua La Masa (2024), Sale Docks (2024), and Mare Karina (2025) in Venice. In 2024 he participated in the Biennale Teatro di Venezia as co-composer, alongside Roberto Lagerman, of BOLIDE / DEUS EX MACHINA, a performance by Elia Pangaro that won the College Teatro Program 2024.
In November 2024 he presented To Build The End, a live performance hosted by Megadue, Bologna, and curated by Gleba2k. Between March and April 2025 he participated in States of Stagnation, a two-person exhibition with Giacomo Mercuriali curated by Caterina Avataneo at Mare Karina Gallery, Venice.
PORTFOLIO